Neil looks back on some of the great music created in the TradCafe episodes that came out in 2018 while looking forward to the next year of episodes. This episode features Allison DeGroot (Ep. 44), Don Roy (Ep. 34), Soo Yeon Lyuh (Ep. 45), Kevin Henderson (Ep. 37), Hadith Bani-Adam (Ep. 26), Brittany Haas (Ep. 41), Andrea Beaton (Ep. 36) and a short preview of the music from Mikael Marin's upcoming episode. For more information on each of these, head to TradCafe.org and look them up in the archive.
In this episode, recorded in front of a live audience at the Sierra Fiddle Camp, clawhammer banjoist Allison de Groot shares her story of delving deep into the Appalachian Banjo tradition while growing up in Winnipeg, Manitoba. She talks about working with luminaries like Bruce Molsky and Tatiana Hargreaves and talks about her work researching the playing of great woman banjo players from the past.
The opening tune "Wabash Blues" is from the playing of Virginian banjo player Hobart Smith but originally entered the tradition from the playing of an enslaved African musician. The set of tunes at the end starts with "Frederick's Jig" written by Allison and finishes with the classic traditional tune "Buffalo Gals".
For more about Allison check out her website: www.allisondegroot.com
A legend of American fiddling already at a young age, Brittany Haas chats with Neil about her musical journey, from touring with Darol Anger at the age of 13 to breaking new ground in the neo-Bluegrass band Crooked Still to playing regularly with Chris Thile on his NPR show "Live From Here" (formerly Prairie Home Companion). This episode also features Brittany's answers to listener questions submitted through Patreon.
Music: opening tune is Calum Finlay and closing tune is Booth Shot Lincoln.
The next several episodes of TradCafe will come out every 2 weeks to accommodate busy summer touring schedules. Thanks for your understanding, folks!
The Swedish third of the Nordic Fiddlers Bloc, Anders Hall sits down with Neil to talk about getting all of his gigs as a result of late night parties, living on the farm where his family has lived as far back as anyone can trace, and the intricacies and history of the Polska.
Music in this episode: Troll Kärrings Låten, march from right where Anders' family farm is located, and Polska after Jonny Schönning. More info at http://www.tradcafe.org/blog-1/2018/5/16/episode-40-anders-hall
A great teacher and performer of Irish fiddle in the Boston area, Laurel Martin talks about her journey from taking up the instrument for the first time in her 20's and studying with the great Seamus Connolly under a master/apprentice grant to becoming a teacher herself, and taking on the "master" role in passing on and sustaining the tradition.
In the second part of the Doug Protsik episode, Neil and Doug discuss the power of music to transcend cultural and political differences as Doug shares his experiences playing traditional music in central Asia, eastern Europe, the middle east and Africa. Doug also shares the story of Maine Fiddle Camp and what he has done to build it into a powerhouse of traditional arts in Maine.
Music in this episode: Opening is "Ida (sweet as apple cider)" Closing is "The Tajik Two-Step" [by Doug Protsik when Old Grey Goose went to Tajikistan]
Old Grey Goose: http://www.oldgreygoose.org
Maine Fiddle Camp: http://www.mainefiddlecamp.org/
Check out these videos of Old Grey Goose's travels:
Tajikistan: https://www.youtube.com/watch?v=RG3epNYnXnc
Central Asia: https://www.youtube.com/watch?v=BYOjj9MVLqk
Trinidad and Cuba: https://www.youtube.com/watch?v=CcOZeGZbLeE
The first in a two part episode featuring Doug Protsik, director of Maine Fiddle Camp and passionate supporter of the traditions of Maine and surrounding regions. In this episode Doug shares his early journey with music from quitting the piano as a child to rediscovering it while living in a $500 log cabin in Maine, and talks about the intertwined histories of American folk music, Jazz, fiddling and foxtrots.
Shetland fiddling wizard Kevin Henderson talks about growing up in the Shetland Islands, where Scottish and Scandinavian culture collide and many fiddle tunes are written by the mysterious and magical Trows. Kevin opens up about the experience of making music and touring with Boys of the Lough, Fiddlers' Bid, Nordic Fiddlers Bloc and Session A9 and discusses the challenges and rewards of balancing new musical projects with fatherhood.
Fiddler, pianist and tune writer Andrea Beaton caught up with Neil just before playing a dance at the Canadian American Club in Watertown, MA. She talks about growing up in Cape Breton as the child of Kinnon and Betty Lou Beaton, two giants of traditional music on the island and how her relationship with music changed from being embarrassed to be associated with the fiddle to recording her own albums and writing some of the most popular contemporary tunes.
Hanz Araki is a long established Irish flute player and singer from the Pacific Northwest now based in Maine; but he is also a master of the Japanese Shakuhachi flute. He shares his wide-ranging musical journey from moving to Japan and practicing Shakuhachi 6 hrs a day with his father to touring 200 days a year across Canada playing the Irish flute.
Franco-American fiddler Don Roy has been a central figure in Maine fiddling for decades. He joins Neil for the first episode of Season 4 to talk about learning music from his uncle (and Maine fiddling legend) Lucien Mathieu, the connections between Maine French fiddling and traditional music from New Brunswick and Cape Breton and his own creative work writing new tunes and leading the massive fiddle group Fiddlicious.
Irish-American dancer Kevin Doyle joins Neil this episode to share his story of growing up in a strong Irish community in Providence, RI, learning to dance from his mother who emigrated from Ireland. He also tells Neil about the connections between American tap dance and Irish step dance and talks about what it was like to get the phone call saying that he was being named a National Heritage Fellow by the National Endowment for the Arts.
Bassist of Crooked Still and CEO of Concert Window, Corey DiMario joins Neil to share his journey from completely dropping music after his sophomore year at Eastman School of Music to rediscovering his passion through the traditional music scene in Boston, going back to music school and founding one of the most distinctive bands in American folk music.
Master Downeast fiddler Frank Ferrel is a fixture in the New England traditional music scene. He shares his musical journey with Neil: from playing banjo in Pacific Northwest bluegrass bands to falling in love with the fiddling of Gerry Robichaud and following that trail to the nexus of New England and Canadian fiddling that is Boston. Along the way he shares stories about discovering little known home-made 78's of the great Franco-American fiddler Tommy Doucet and his compatriots.
A driving force of the Scottish fiddling scene in the United States, Hanneke Cassel shares her story from discovering fiddle music through local competitions to travelling the world performing and teaching her own iconic compositions, which fuse Scottish and Cape Breton traditions with a sound all her own. She and Neil also chat about her tune writing process and what influence her travels to China and Africa have had on her music.
One of the top traditional musicians of Senegal, Lamine Touré shares his depth of knowledge as the latest in a 1000+ year line of tradition bearers in his family. Lamine sits down with Neil to discuss how he ended up living and teaching in the Boston area while travelling the world sharing his sabar drumming, singing and dancing.
[music in the episode: Jang (meaning "study") which speaks about the importance of studying hard in order to have a good life; and Donald Willie and his Dog, which is a Scottish pipe jig from South Uist, written by D. Morrison]
Master Scottish fiddler Alasdair Fraser kicks off Season 3 of TradCafe, sitting down with Neil for a wide ranging conversation about the variety of approaches he has taken over the years to playing traditional Scottish music and the new horizons he is looking towards, exploring new music styles and traditions.
Moira Smiley is the lead singer of Solas, mastermind behind VOCO and a member of many other stand out groups including The Lomax Project and tUnE-yArDs. In this, the first episode of Season 2, Neil and Moira chat about her varied musical experiences and background from growing up on a farm in Vermont to studying piano in Indiana to living in California singing everything from traditional Balkan music to Irish songs to her own fiercely original material.